On the weekend of January 16–17, 2016, an enthusiastic crowd of singers gathered in Poway, California, for the 28th All-California Sacred Harp Singing Convention. Poway, known as the “City in the Country,” is centrally located in San Diego County. The All-California Convention rotates between the Los Angeles area, the San Francisco area, and the San Diego area, so it was last held in Poway in 2013. Singers from eighteen states, the United Kingdom, Germany, and Canada attended.
The San Diego singers offered a full weekend of events, starting with the Friday night activities, held in the Old Adobe Chapel, in the Old Town neighborhood of San Diego. This is a beautiful and intimate space, with great acoustics. The pews were rearranged for singing in the traditional hollow square. In addition to the electric lights, lit candles in sconces and candelabras added to the mood, creating a warm nostalgic feeling on a rare rainy night in San Diego.
We started with “pitching practice,” a friendly chance for novices to practice pitching, or keying. Singers chose a song, set a pitch for the piece, and led the class in a verse. At the end of each song, first the leader, and then the singers, provided feedback on the pitch. It was interesting to hear comments from such a variety of perspectives. A few people felt their pitch was off, but the crowd felt comfortable. Several experienced keyers also offered their insights. [Read about Georgia keyers’ perspectives on this mysterious art and new findings about how singers pitch Sacred Harp music in vol. 2, no. 2 of the Newsletter.—Ed.]
Next, the alternative singing from The Shenandoah Harmony started. With sixty to seventy people, the class filled the chapel with soaring song. The songs were new to many of us, but beautifully rendered. I thought this was a great reminder of how our shape-notes help with sight singing.
There was a truly magical moment during a break. The electric lights in the chapel were turned off, so we could imagine attending a service lit only by candlelight. A call from the crowd started us on a haunting rendition of Idumea (p. 47b in The Sacred Harp) sung from memory. I know many of us were deeply touched by this spontaneous song.
Saturday morning we gathered at Templars Hall in Old Poway Park. This is another building with great acoustics. The beautiful hardwood floors, the floor-to-ceiling windows decorated with swags of hunter green, the vaulted ceilings, and the fresh air breezing through make it a wonderful singing space. Well over one hundred singers gathered to raise their voices in lovely harmony. The chair, Elaine Denny, opened the convention with the vice chair, Esteban Veliz, and the chaplain, David Fetcho, who led an opening prayer.
The members of the arranging committee, Judy Getrich and Carla Smith, kept the class going with a great balance of singing and visiting over the breaks. During the day, singers led ninety-six songs, as recorded by the secretaries, Mimi Wright and Judy Getrich.
Mike Hinton, a singer from San Antonio, Texas, and president of the Sacred Harp Publishing Company, said, “Session after session, I would think, ‘this next session cannot possibly be as strong and lively as the morning session,’ and lo and behold, the singing just kept going, tune after tune.”
Dinner on the ground included so much food on the tables, no one could have gone hungry. Food for all—vegans, vegetarians, (well, this IS California!) and as our chair, Elaine, put it, “people who eat meat.” And there were so many desserts, we didn’t just have a dessert table—there was a dessert ROOM. So many delicious contributions!
On Saturday evening, Susan Willis-Powers organized a Composium. An enthusiastic crowd sung new pieces composed in the Sacred Harp style. And then there were two separate socials—one at a local hotel, for those who wanted to stay close to Poway, and another at my house in Escondido. For those who asked about the addictive and delicious chocolate confection I made, here’s the recipe for the Nanaimo Bars. (I use pecans in place of the almonds.)
On Sunday, we gathered again to sing, and singers led ninety-five songs. The memorial lesson, given by Mike Hinton and Susan Cherones, included moving observations about those who could not join us. Mike’s remark that we find mention of memorial lessons in the oldest minutes of singings was a powerful reminder that what we sing has the weight of tradition behind it.
Elaine made an impassioned speech about the wonderful Camp Fasola experience, and asked past participants to stand. I didn’t count, but there were probably dozens. She thanked David Ivey, the camp organizer, for doing so much to help keep our tradition alive and well, and encouraged everyone to attend if they can.
Jerry Schreiber and Geoff Grainger of the resolutions committee helped to wrap up the day by recognizing so much of what went into hosting a wonderful singing and expressing thanks to all.
And, although the singing ended, the events didn’t. Since this convention fell over a holiday weekend, many people could stay on Monday. Susan Willis-Powers led a wander through the tide pools of La Jolla, and Elaine Denny led a hike in the mountains.
Speaking for the San Diego singers, I can say we delighted in creating a weekend of song and joy, and are so grateful for the many folks who traveled to spend time with us. And now, we’re all looking forward to next year’s All-California Sacred Harp Singing Convention, scheduled for the Los Angeles area. Come sing on the third Sunday and the Saturday before, which falls on January 14–15, 2017. Hope to see you there!