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Recent Newsletter Articles
- Introducing Vol. 6, No. 2 of the Sacred Harp Publishing Company Newsletter
- Shape-Note Singing in Mississippi: A Preliminary History
- Building Community Harmony: Thirty-Three Years of Illinois State Sacred Harp Conventions
- Remembering Toney Smith: Singer, Leader, Teacher, Organizer, Reviser, and Encourager
- B. M. Smith: A Loving, Caring Spirit and Front Bench Stalwart
- In Memory of Earlis McGraw, July 27, 1935–June 8, 2016
- What I’ve Learned from My Sacred Harp Elders
- Bound Together: What Makes an Effective Pairing of Text and Tune
- The “Stacked Fourths” Chord: A Canonical Discord in The Sacred Harp
- Notes on Repairing Songbooks
Newsletter Article Categories
- Citizen of the Month (5)
- Features (4)
- Friends Who've Gone Before (10)
- Hamrick on The Sacred Harp (8)
- Harpeth Valley News (4)
- Help Me To Sing (2)
- Introduction (13)
- Just a Minute (7)
- National Newsletter (5)
- News (20)
- Number, Measure, Weight (6)
- Of Harmony and Composition (4)
- Read the Old Paths (28)
- Sacred Harp Museum (4)
- Sightings (1)
- Singing Reports (23)
- Unto the Raptured Eye (1)
Author Archives: Christopher Sawula
Elphrey Heritage: Northern Contributor to the Nineteenth-century Sacred Harp
All of the direct contributors to the nineteenth-century editions of The Sacred Harp lived in Georgia or Alabama with one exception: Elphrey Heritage, of Philadelphia, Pennsylvania.1 Heritage contributed two songs to the 1870 fourth edition of The Sacred Harp: “Warning” … Continue reading
Posted in Read the Old Paths
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