Books and Recordings
Shopping Cart
Online Exhibitions
-
Recent Newsletter Articles
- Introducing Vol. 6, No. 2 of the Sacred Harp Publishing Company Newsletter
- Shape-Note Singing in Mississippi: A Preliminary History
- Building Community Harmony: Thirty-Three Years of Illinois State Sacred Harp Conventions
- Remembering Toney Smith: Singer, Leader, Teacher, Organizer, Reviser, and Encourager
- B. M. Smith: A Loving, Caring Spirit and Front Bench Stalwart
- In Memory of Earlis McGraw, July 27, 1935–June 8, 2016
- What I’ve Learned from My Sacred Harp Elders
- Bound Together: What Makes an Effective Pairing of Text and Tune
- The “Stacked Fourths” Chord: A Canonical Discord in The Sacred Harp
- Notes on Repairing Songbooks
Newsletter Article Categories
- Citizen of the Month (5)
- Features (4)
- Friends Who've Gone Before (10)
- Hamrick on The Sacred Harp (8)
- Harpeth Valley News (4)
- Help Me To Sing (2)
- Introduction (13)
- Just a Minute (7)
- National Newsletter (5)
- News (20)
- Number, Measure, Weight (6)
- Of Harmony and Composition (4)
- Read the Old Paths (28)
- Sacred Harp Museum (4)
- Sightings (1)
- Singing Reports (23)
- Unto the Raptured Eye (1)
Author Archives: Chris Brown
American Tunes in West Gallery Sources
The conventional model of the flow of hymn tunes across the Atlantic is that music went from the United Kingdom to America in the years before the American Revolution and that American tunes came across to Britain in the 1860s … Continue reading
Posted in Read the Old Paths
1 Comment
Picturing Song Leaders in Nineteenth-Century America
One of the things that seems to intrigue new singers is the role of the leader, standing in the center of the hollow square beating time. Many assume that this practice is unique to Sacred Harp singing, but evidence from … Continue reading
Posted in Read the Old Paths
Leave a comment