Note how the rearrangement of Mason’s Hebron in White’s Sacred Harp dramatically reinvents Mason’s relatively-static treble part as a melodic line in the dispersed-harmony idiom.
From the Collection: An Earlier Sacred Harp
← From the Collection: An Earlier Sacred Harp
Note how the rearrangement of Mason’s Hebron in White’s Sacred Harp dramatically reinvents Mason’s relatively-static treble part as a melodic line in the dispersed-harmony idiom.