Inside the Production of The Sacred Harp: 2025 Edition

The first copies of The Sacred Harp: 2025 Edition are off the press and ready for the debut singing on September 12–14! We visited the press to check in on the book’s production and document it for posterity. These photographs illustrate the many steps it takes to produce a songbook, including printing, cutting, folding, collating, gluing, capping, stitching, binding, casing-in, and packaging.
Photographs by Jim Pfau and Jesse P. Karlsberg

Printing music in a continuous sheet.

Pages of The Sacred Harp: 2025 Edition emerging from the printing machine in a continuous wide sheet with multiple songs.

Slicing paper to size.

Slicing the large sheet of paper into smaller sections for folding and stacking.

Folding signatures.

Folded sections called “signatures” with forty-eight pages from the songbook.

Thousands of individual signatures.

Pallets loaded with thousands of copies of individual signatures awaiting collation. The stack in the foreground features the first set of pages.

Signatures ready for collation.

Signatures stacked in bays in preparation for collation by the machine that combines the signatures into complete book blocks. Clips hold samples labeled with the final page of each signature.

Feeding signatures to be collated.

Workers staging and feeding signatures into the machine, which extends to the far end of the manufacturing facility. Each pallet in the foreground holds the remaining copies of a single signature of the book..

Forming book blocks.

A “book block” is formed as the signatures are collated and then glued and capped with a cambric fabric. The book blocks are on their way to the part of the machine that trims the edges for a perfect finish.

Side sewing book blocks.

A worker operating the side-sewing machine that strengthens the binding by stitching through the sides of the book block.

Closeup of side sewing.

A close-up of the side-sewing machine as it stitches the book block together.

Finished book blocks waiting for covers.

Finished book blocks on their way to the next step, where they will be bound to the covers, a process called “casing in.” You’ll have to wait to see the cover design at our big reveal at the book launch in September!

Books in boxes.

Some of the first cases of The Sacred Harp: 2025 Edition off the production line, packed and ready to head to singers like you!

About David Ivey

A lifelong Sacred Harp singer, David Ivey is the president of the Sacred Harp Musical Heritage Association, director of Camp Fasola, and chair of the Revision-Music Committee for The Sacred Harp: 2025 Edition. David was a member of the Music Committee that revised The Sacred Harp: 1991 Edition. David lives in Huntsville, Alabama, where he is chief information officer of the Alabama Supercomputer Authority.

About Jesse P. Karlsberg

Jesse P. Karlsberg is the vice president of the Sacred Harp Publishing Company. He edits the Sacred Harp Publishing Company Newsletter and is a member of the Revision-Music Committee for The Sacred Harp: 2025. Edition Born in Boston, he lives in Decatur, Georgia, and is senior digital scholarship strategist at Emory University.

About Nathan Rees

Nathan Rees is the Treasurer of the Sacred Harp Publishing Company, associate editor of the Sacred Harp Publishing Company Newsletter, and a member of the Revision-Music Committee for The Sacred Harp: 2025 Edition. Originally from Utah, he lives in Carrollton, Georgia, where he is associate professor of art history at the University of West Georgia.
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